“Thy righteousness is like the great
mountains; thy judgments are a great deep: O LORD, thou preservest
man and beast.” (Psalm 36:6, KJV)
Per Scriptum E. Wesley Reynolds
Soli Deo Gloria
Introduction:
In my heart, I yearn to be with Rev.
Philips and his commemoration of the Titanic, but God has called me
to the great task of throwing down the enemies of Christ behind the
lines in the academic establishment: “Casting down imaginations,
and every high thing that exalteth itself against the knowledge of
God, and bringeth into captivity every thought to the obedience of
Christ.” (II Cor. 10:5). Deconstructionism has often plagued the
academic historical establishment with an inability to most
accurately organize and explain historical data which incorporates
Christian presuppositions of truth in its original source base. The
stark post-modern revisions of the Titanic prove that
deconstructionist approaches to historiography cannot contain the
immense power of Providential history, as a testimony to the reign of
God and of His Christ: “His work is honorable and glorious: and His
righteousness endureth forever. He hath made His wonderful works to
be remembered...” (Psalm 111:3-4). The scholar of Providential
history is duty bound to remember the Divine significance of every
era: “The works of the LORD are great, sought out of all them that
have pleasure therein” (Psalm 111:2). Yet rather than searching
for God's meaning in history or even evaluating the significance of
interpretations from eye witnesses, post-modern historians are
obsessed with dismantling every perspective into a collection of
contradictory biases and controversies between races, classes, and
genders. Even their process for relativistic analysis has degenerated
into unintelligible relativism. As Daniel T. Rodgers argues in The
Age of Fracture, “The
categories of race, class, and gender, after sweeping into academic
discourse in the early 1980s, turned less distinct, disaggregated
into subcategories and intersections of categories, or slipped into
quotations marks. Historians talked less of structure and more of
narratives and consciousness – if not of the end of history and the
disappearance of its powerful dialectical pincers altogether.”1
After an intellectual history of chivalry, this post will include two
parts; first, an attempt at rendering the Titanic disaster into a
Providential historical understanding and comprehending the primary
interpretations of contemporary accounts, and second, address the
post-modern revisionist histories of the Titanic.
Preface on the
Development of Mercantile and Maritime Chivalry:
Edwardian gentility existed in an age of lavish concert halls, formal evening attire, Strauss waltzes, and a touch of modern consumerism from industrial and urban development. Nationalistic composers took folk tunes from the countrysides and turned them into orchestral masterpieces, while men like Sir Edward Elgar and John Philip Sousa composed imperialistic and patriotic marches with a thunder unmatched in the history of Western music. Also popular music, Vaudeville, minstrelsy, and mass sport and leisure culture offered new urban pursuits to not only the wealthy but also to working families. Edwardian life existed in a world of whirling change, and yet it still largely maintained its Victorian moral structure.
Chivalry connotes medieval, and while the word itself derived its origin under knighthood as a code of honor for lords and landed gentry, it's medieval forms were far too distant and brutal to connect to the softer form of a more recent and polite chivalry dominating the code of honor for the Titanic. With the Reformation, knowledge and Biblical rationality transformed the world along humane lines which in turn threatened the dominance of the landed medieval aristocracy. However, since men are not by nature egalitarian, a new aristocracy soon began to take its place; one built on commerce and the wealth of newly developed trade routs. By the early to middle eighteenth century, philosophers began noticing the difference, and chronicled the new order and codes that followed it. The coffeehouse became the center for a code of polite conversation, provoking Jonathan Swift to write an essay entitled Hints Towards an Essay on Conversation. He proposed that conversation ought to be conducted in a more genteel way among fellow gentlemen without offense or injury. He even recommended ladies entrance into such spheres to encourage gentlemen to refine their speech.2 In 1724, Daniel Defoe defined the the new English tradesman as a gentleman in his own right in the twenty second chapter of his book entitled The Complete English Tradesman, and explained that the older landed gentry were being displaced by this more productive sect. Far from degrading the established code of nobility, tradesmen constructed a more deserving aristocracy:
Chivalry connotes medieval, and while the word itself derived its origin under knighthood as a code of honor for lords and landed gentry, it's medieval forms were far too distant and brutal to connect to the softer form of a more recent and polite chivalry dominating the code of honor for the Titanic. With the Reformation, knowledge and Biblical rationality transformed the world along humane lines which in turn threatened the dominance of the landed medieval aristocracy. However, since men are not by nature egalitarian, a new aristocracy soon began to take its place; one built on commerce and the wealth of newly developed trade routs. By the early to middle eighteenth century, philosophers began noticing the difference, and chronicled the new order and codes that followed it. The coffeehouse became the center for a code of polite conversation, provoking Jonathan Swift to write an essay entitled Hints Towards an Essay on Conversation. He proposed that conversation ought to be conducted in a more genteel way among fellow gentlemen without offense or injury. He even recommended ladies entrance into such spheres to encourage gentlemen to refine their speech.2 In 1724, Daniel Defoe defined the the new English tradesman as a gentleman in his own right in the twenty second chapter of his book entitled The Complete English Tradesman, and explained that the older landed gentry were being displaced by this more productive sect. Far from degrading the established code of nobility, tradesmen constructed a more deserving aristocracy:
Trade is so far here from being inconsistent with a gentleman, that, in short, trade in England makes gentlemen, and has peopled this nation with gentlemen; for, after a generation or two, the tradesman's children, or at least their grandchildren, come to be as good gentlemen, statesmen, parliamentmen, privy-counselors, judges, bishops, and noblemen, as those of the highest birth and the most ancient families; as we have shown. Nor do we find any defect either in the genius or capacities of the posterity of tradesmen, arising from any remains of mechanic blood, which, it is pretended, should influence them; but all the gallantry of spirit, greatness of soul, and all the generous principles that can be found in any of the ancient families, whose blood is the most untainted, as they call it, with the low mixtures of a mechanic race, are found in these; and, as is said before, they generally go beyond them in knowledge of the world, which is the best education.3
The perception of
the new English gentleman was also witnessed across the Atlantic and
particularly in France, where the philosopher Voltaire contrasted
English tradesmen with the stale and idiotic courtly nobility of
France. He believed the superiority of the tradesmen over the old
nobility as almost axiomatic, “I will not, however, take upon me to
say which is the most useful to his country... whether the powdered
lord, who knows to a minute when the king rises or goes to bed... or
the merchant, who enriches his country, and from his countinghouse
sends his orders into Surat or Cairo, thereby contributing to the
happiness and convenience of human nature.”4
Gentility, civility, and politeness soon became the Enlightenment
principles of the new gentry, and Romanticism brought back at least a
rhetorical lineage to the medieval. Yet, far from medieval, the code
for nineteenth century gentlemen included honesty and gentleness, as
any casual reading of the novels on manners during the Romantic and
Victorian eras may demonstrate. As England grew, its influence more
and more dominated the seas in a quest for global empire, and
imperialism pervaded much of the trade, investment, and military
ventures of Victorian Great Britain.
The H.M.S.
Troopship Birkenhead disaster in 1852, sparked yet another
international interest in British gentility, this time, as maritime
chivalry. After running aground, the sailors and soldiers of the
Birkenhead under the leadership of Captain Salmond and Colonel
Alexander Seton of the 74th Highlanders, organized the
loading of all the women and children safely onto the lifeboats,
while the men went down with the ship into shark infested waters. Not
one woman or child was lost, and the story became a classic among
tales of British valiance. Even the king of Prussia took interest in
the tale, and popularized it among his army. Indeed, it seemed the
perfect example of bravery that imperialistic ventures required, as
one survivor described it, “Yes, that-all conquering discipline –
for of all the women and children not one is lost.”5
By 1912, the rule of women and children first was taken for granted
as not only maritime law but also a universal law governmening human
nature. Survivor J. Bruce Ismay described it as “the natural
order,” and when questioned by the United States Senate inquiry
whether following the rule resulted from the Captain's orders or a
rule of the sea, Second Officer Lightoller answered by claiming it
was “the rule of human nature.”6
Archibald Gracie also echoed Lightoller's sentiments in his first
hand account.7
Even smoking and over descriptive language of the death toll were
frowned on, as Gracie commented, “When asked if the Carpathia
would come and pick us up he replied: 'No, she is not going to pick
us up; she is to pick up bodies.' This when said to wives and mothers
of the dead men was needlessly brutal.”8
As a further study of the Titanic will prove, this code of gentility
governing respectability and valiance for Victorian class, and I mean
the generic definition of class as sophistication rather than as a
category based on incomes derived itself from Christian principles.
Titanic as
Providence and the Difficulties of the Edwardian World:
The Titanic
displayed the Victorian Christian dedication to the virtues of
sacrifice and honor, and also stands as an endless testimony to the
inability to build a technological Babel above God's power.
“Be
not deceived; God is not mocked...” (Gal. 6:7). Both points were
picked up by contemporaries. Ronald Macfie's poem The
Titanic: (an ode to immortality),
portrays the Titanic as a disaster unpredictable by man and known
only to God. However, God features simply as an uncontrollable force
of pessimism:
Why did God chooseThat you should tortured die?...Behold! The hands of FateWise and deliberate...Shaped to a strange deviceThe murderous bit of ice...9
The roots of modern
disillusionment were beginning to set in in this Edwardian
understanding of the event, a prelude to April as the cruelest month.
Dr. Ballard and Eve Heart and were nearer the mark in claiming that
the entire affair attested to man's arrogance in naming it
indestructible and not equipping it with enough lifeboats.10
The Victorian anxiety for the oncoming prowess of technology had
little wide-scale confirmation until the Titanic disaster. Were would
science lead? After the Titanic, science plainly seemed limited, and
the horror of machinery as mass killing devises in the world wars
would be around the corner. This naivety with technology increased
into a blind faith, if an uneasy faith. The Titanic functioned as the
first of modern disasters which called into question the Darwinian
understanding of Victorian and indeed the even more progressive forms
of Edwardian science. Hence, Filson Young in 1912 described the
Titanic attempt, “like blasphemy,” and H. Rea Woodman in his 1913
poem In Memoriam, The Titanic Disaster framed the accident as
a contest between the unconquerable sea and the finite inventions of
man.11
Here, Woodman makes a distinction between the arrogance of the
shipbuilders and the innocence of the passengers, and constructs a
more heroic contest between the chivalry of those on board with the
cruelty of the iceberg:
Forever across the scarred waters,Swept by your revenge and your hate,Will echo that clarion music,Of the dying before the Gate.12
In this sense, the
Titanic included a deeper contest between disaster and the stalwart
Victorian valiance of its passengers. Archibald Gracie's account
testifies to the truth of such an interpretation. From the beginning,
men attempted to keep the ladies composed and passed them over the
ship decks and into the boats. Captain Edward Smith gave the all
famous orders “women and children first.”13
When on various occasions some men rushed the boats, others
maintained the protocol with their pistols. First Officer William
Murdoch nobly loaded the boats with women and children before losing
his only life on deck, and after as many women and children as
possible had left, Captain Smith gave the orders, “Men, you have
done your full duty. You can do no more... Now, it is every man for
himself.”14
Most women remained collected while the loading continued,
demonstrating Victorian womanhood to the fullest submission and
resolve. Both Young and Jay Henry Mowbray argued that class and
nationality did not lead to distinctions in the efforts to save
lives, and Gracie commemorated the coolness and courage of his manly
friend Clinch Smith with Christ's words, “Greater love hath no man
than this, that a man lay down his life for his friend.”15
Nevertheless, Victorian
manhood did not exist in an entirely Biblical framework. Both
survivors and commentators attributed the valiance of the men to the
Anglo-Saxon race. Gracie claimed to be proud of his race that gave
him the composure necessary to withstand the pressure, and Mowbray
summed up his version of the Titanic's significance by declaring, “It
was the tradition of Anglo-Saxon heroism that was fulfilled in the
frozen seas during the black hours of that Sunday night.”16
Their false sense of self-pride was obvious, not only in man, but in
a racist definition of heroism.
However, Providence
became Gracie's first interpretation of the disaster. He gave God the
glory and put down man's effort to conquer nature vainly, “Had a
kind Providence a guiding hand in this? Did our nation need so mighty
a stroke to prove that man had grown too self-reliant, too sure of
his own power over God's sea? God's part was the saving of the few
souls on that calmest of oceans on that fearful night. Man's part was
the pushing of the good ship, pushing against all reason... Risk all,
but push, push on, on.”17
In the Edwardian contest between God and man, God had won, and
salvation was His. Gracie points to the vain luxuries on the Titanic
at the expense of life boats as the cause for fall. Materialism had
literally picked up steam by 1912, and while entrepreneurship and
higher Edwardian standards of living in many ways encouraged a more
orderly protocol on deck, it came at a bitter cost. As Young
summarized, “They were a poor remnant indeed of all that composite
world of pride, and strength, and riches; for Death winnows with a
strange fan, and although one would suit his purpose as well as
another, he often chooses the best and the strongest.”18
Thanks be to God that both Providence and those on board chose the
strongest to die that night over the weak! It would become the last
great demonstration of Victorian chivalry before the Victorian
collapse in the First World War, and first among the modern winnowing
fans of “perverted
science.” Technological complacency soon turned to mass
devastation in the two world wars of the not too distant future.
Deconstructing the
Deconstructionists:
The post-modern
historians of our day have drastically perverted the story. Jay White
in his article “God's Ark”: Subscription Book Publishing and
the “Titanic” attacks the dime novel publication approach to
much of the popularization of the Titanic in the following months
after the disaster, and argues that such popularizing raised the
Titanic disaster to mythical meaning through exaggerated eye-witness
accounts and Christianization of the significance behind the
Titanic.19
By deconstructing the perception of the Titanic in the rhetoric of
its popularization, he may pick apart the principles of Christian
chivalry in the Victorian era without ever having to bother about the
real events. Nevertheless he also lodges a debate about facts,
arguing that the British and United States inquiries more
authentically represented the events, and that the statistics of
survivors bear out a different story than women and children first.
While the cross-examinations of the inquiries may be more accurate
than the popularization of eye-witness accounts, White is in no way
justified in disregarding these works as valuable historical
documents or even accurate ones. Rather, their value lies in the fact
that they give the symbolic framework for understanding the Titanic
as an Edwardian event. Many of these publications bear the anxieties,
hopes, and fears of the Edwardians as they existed on the verge of
the modern world. Court proceedings may give the historian facts, but
not as much cultural backdrop to the event as it was understood by
its eye-witnesses outside of the rather unfeeling context of legal
examination. Nevertheless, even the inquires reflected to some degree
the very Christian and chivalric understanding of the Titanic that
White finds so detestable in the popularization accounts. White has
placed himself in a historiographical hard place; he must either
deconstruct the whole and have little to rebuild any intelligible
analysis of meaning, or admit the importance of the popularized
accounts.
Statistically, White
argues that 338 men survived the Titanic disaster while only 316
women and 57 children lived.20
However, he insidiously hides percentages in his analysis; an
indiscretion which bears out with the crew figures, particularly. In
reality, 32.57 percent of adult first class gentlemen survived to the
overwhelming 97.22 percent of first class ladies and 100 percent of
first class children, 8.33 percent of adult second class gentlemen to
86.02 percent of second class ladies and many children besides, and
16.23 percent of adult third class gentlemen to 46.06 percent of
third class ladies and some children besides. The crew included 862
men and 23 women; a discrepancy which surely throws White's
perception off target. Out of 23 women, 20 women were saved, an
amazing percentage, while only 212 men survived.21
The statistical facts do not bear out White's deconstructionism.
Stephanie Barczewski
follows White's method of deconstructing rhetoric by claiming in her
book Titanic: A Night Remembered
that the press conveyed a story that should have been, but wasn't,
and that the cruel facts of boat rushing were conveniently tucked
aside. She writes, “Beginning on 20 April, the sinking of the
Titanic departed – at least partially – from the realm of
documented history and passed into a realm of myth.”22
True, yet Barczewski's preoccupation with rhetoric diverts her from
piecing together a real story of cultural significance based on the
Christian interpretations of survivors after the fact. She further
argues that British accounts were clouded with patriotism more than
American versions, although both were racist. However, if Gracie's
book is any clue American patriotism colors that work as much as the
call to be British. A valuable contribution from a factual standpoint
is Barczewski's including feminist opposition to the Titanic rule of
women and children first, but here again post-modern egalitarianism
colors Barczewski's view: “the myth of the Titanic emphasized not
only 'manly' but 'gentlemanly' conduct, associating with class as
well as gender.”23
Survivor Eva Hart would not have agreed if her interview with the BBC
in 1987 is any indication. Regarding class distinctions on board, she
argued, “...but I don't take any notice of that, because it goes on
even today. You can book your fair in some luxurious liner if you're
so minded, I'm not, but you can, and then there's a tourist bus...
Well that's the division. That's all there was on the Titanic. It was
simply that there were three classes. I'm not aware that it caused
any friction of any kind...”24
Andrea Broomfield in her article The Night the Good Ship
Went Down confirms Hart's
outlook on class by analyzing the diets served on board and inferring
distinctions in meanings as cultural history. She summarizes, “Rather
than compel people to 'feel their place,' cruise ships encourage them
to 'see their potential,' offering them cooking demonstrations and
meals by such celebrity chefs as Jacques Pépin and Daniel Boulud—a
concept that the White Star Line helped to pioneer over a century
ago, in its then-novel philosophy of attentiveness to the consumer.”
This rejection of the typical post-modern class argument reveals a
much more dynamic and interactive Edwardian society that had by the
beginning of the twentieth century universalized concepts of
gentility and opportunity, within the potential of every level of
society.
Conclusion:
The
Christian conservative interpretation of the Titanic disaster not
only most makes sense of the primary material, but also inhibits the
adulterations in perceptions of scholarship of future ages, like
post-modernism, from tainting the timeless truths of the Titanic;
truths which the Edwardians saw only too well. God will not be
mocked, and sacrifice in disaster deserves commemoration. Revisionism
cannot add without taking away the holistic approach of the subject
at hand, and if that approach accords with reality enough to be
preserved, or indeed conserved, then the best way to record history
is as the conservative of the original intent of its authors and
eye-witnesses. The Edwardians were the best judges of the Titanic
disaster, as they were the ones who most took its Biblical lessons to
heart.
1.
Daniel T. Rodgers, Age of Fracture
(Cambridge, Massachusetts: The Belknap Press of Harvard University
Press, 2011), 39-40.
2.
Jonathan Swift, Hints Towards An Essay On Conversation
(1713), accessed from Modern History Sourcebook on 2012-04-10,
http://www.fordham.edu/Halsall/mod/1713swift-conversation.asp.
3.
From: Daniel Defoe, The
Complete English Tradesman
(London, 1724), Chap. XXV as repreinted in Eugen Weber, ed., The
Western Tradition: From the Ancient World to Louis XIV
(Lexington, MA; D.C., Heath, 1995) pp. 476-481, accessed on 10 April
2012, http://www.thenagain.info/Classes/Sources/Defoe.html.
4.
Voltaire, The Works of
Voltaire. A Contemporary Version, A Critique and Biography by John
Morley, notes by Tobias Smollett, trans. William F. Fleming (New
York: E.R. DuMont, 1901), In 21 vols. Vol. XIX. Chapter: ENGLISH
COMMERCE, accessed from http://oll.libertyfund.org/title/666/81878
on 2012-04-10.
5.
Douglas W. Phillips, The Birkenhead Drill,
(San Antonio: The Vision Forum, Inc., 2002), 22-23, 25; Corporal W.
Smith as quoted in Phillips, The Birkenhead Drill,
43.
6.
J. Bruce Ismay, United States
Senate Inquiry,
http://www.titanicinquiry.org/USInq/AmInq01Ismay02.php; Lightoller
as quoted in Archibald Gracie, The Truth About the Titanic
(New York: M. Kennerley, 1913), 117.
7.
Gracie, The Truth, 115.
8.
Ibid, 134.
9.
Ronald Campbell Macfie, The Titanic: (an ode to immortality)
(London: E. MacDonald, 1912)
15, 21.
10.
Eva Hart,
http://www.youtube.com/watch?v=MD5J43Z9AWI&feature=related.
11.
Filson Young, Titanic
(London: G. Richard, 1912), 16; H. Rea Woodman, In
Memoriam, The Titanic Disaster
(Poughkeepsie, NY: Privately printed by the author, 1913), I, II.
12.
Woodman, In Memoriam, XXII.
13.
Gracie, The Truth, 18, 25,
30, 232, 285-286.
14.
Ibid, 35, 37-38, 65.
15.
Ibid, 34; Young, Titanic,
119; Jay Henry Mowbray, Sinking of the Titanic: Most
Appalling Ocean Horror
(Harrisburg: The Minter Company, 1912), 21.
17.
Gracie, The Truth, 255.
18.
Young, Titanic, 188.
19.
Jay White, “God's Ark”: Subscription Book Publishing and the
“Titanic” (Acadiensis,
Vol. 28, No. 2 (SPRING/PRINTEMPS 1999): 93, 98, 102, 125, accessed 2
April 2012, http://www.jstor.org/stable/30302765.
20.
Ibid, 113.
21.
“British Wreck Commissioner's Inquiry Report,” British
Inquiry, accessed 10 April 2012,
http://www.titanicinquiry.org/BOTInq/BOTReport/BOTRepSaved.php.
22.
Stephanie Barczewski. Titanic: A Night Remembered
(New York: Hambledon and London, 2004), 53.
23.
Ibid, 54, 63-65.
24.
Eva Hart, 1987,
http://www.youtube.com/watch?v=M0akUzKVKKs&feature=relmfu.
No comments:
Post a Comment